Literature

This volume offers a series of fresh explorations of the life, writing, and reputation of John Milton. The ten papers take us inside Milton's verse and prose, into the context of the events and the intellectual debates within which they were written, and into the later worlds within which his reputation evolved and fluctuated. Key topics discussed include: his political beliefs and career; the characteristics of his poetry – especially Paradise Lost; the literary influences upon his verse; his perception of women; and the ways he has been seen since his death.

This is the first critical biography of Xavier Marmier. The celebrity of Marmier was such that his death made headline news in most major newspapers in France. Marmier earned his reputation by being a traveller, travel writer, translator, literary critic, comparatist, journalist, novelist, poet, lecturer, linguist, ethnologist, social historian, and latterly as an outspoken member of the Académie Française. His work had a great deal of influence, both direct and indirect, on literary and intellectual developments in France, and also had a significant impact in a number of the countries he visited. Although his name still figures in studies of comparative literature or the history of travel writing, Marmier's innovations have gradually been eclipsed by his successors in various fields, resulting in the neglect of his overall achievements. Marmier's numerous and diverse achievements are assessed in their intellectual and historical context, and within the framework of his colourful and somewhat controversial private life. This book will be of interest to scholars and students of the history of nineteenth-century French literature and intellectual life, the history of literary criticism, travel writing, the introduction of foreign literature to France, and those with an interest in the intellectual, social, and cultural history of the regions Marmier visited.

This is the first dedicated study of the classical-style, Latin didactic poetry produced by the Society of Jesus in the early modern period. The Jesuits were the most prolific composers of such poetry, teaching all manner of arts and sciences: meteorology and magnetism, raising chickens and children, the arts of sculpture and engraving, writing and conversation, the social and medicinal benefits of coffee and chocolate, the pious life and the urbane life. The book accounts for this investment in so secular a genre by considering the Society's educational and ideological values and practices. Extensive quotation from the poems reveals their literary qualities, compositional methods, and traditions. The poems also command scholarly attention for what they reveal about social, cultural, and intellectual life in this period.

Why biography? This collection of chapters on the problems and functions of biography, and particularly the biography of writers, thinkers, and artists, investigates a subject of enduring importance for those interested in culture and society. In the last century, it has been a controversial subject, as old models of biographical writing were attacked and superseded, while critics and theorists questioned the once self-evident value of the biography of writers. Yet the genre continues to attract notable authors and is unfailingly popular with readers. The present volume, while containing chapters by practising biographers, is intended primarily as a stimulus to critical thinking. It focuses on the diverse functions assumed by life-writing in different European countries at different periods, challenging both the notion of a genre with constant characteristics and aims and the view of modern biography as the happy culmination of centuries of progress.

Petrarch was Italy's second most famous writer (after Dante), and indeed from the fifteenth to the nineteenth centuries he was much better known and more influential in English literature than Dante. His Italian love lyrics constituted the major influence on European love poetry for at least two centuries from 1400 to 1600, and in Britain he was imitated by Chaucer, the Elizabethans, and other lyric poets up until the end of the eighteenth century. With Romanticism Dante ousted Petrarch from his pre-eminent position, but in our post-Romantic age, attention has now started to swing back to Petrarch. This volume is a survey of Petrarch's literary legacy in Britain. Starting with his own views of those whom he called the ‘barbari Britanni’, the volume then explores a number of key topics: Petrarch's analysis of the self; his dialogue with other classical and Italian authors; Petrarchism and anti-Petrarchism in Renaissance Italy; Petrarchism in England and Scotland; and Petrarch's modern legacy in both Italy and Britain. Many important texts and poets are considered, including Giordano Bruno, Leopardi, Foscolo, Ascham, Sidney, Spenser, and Walter Savage Landor.

The Popish plot was an alleged Catholic conspiracy to assassinate Charles II and re-introduce the Catholic faith to England. Despite it being a fiction, belief in the plot became widespread and many innocent Catholics were sent to their deaths. Moving away from the focus of recent histories of the plot, which remain predominately in the realms of parliamentary discussion, courts of law and the councils of the King, this volume considers how details of the plot circulated more broadly. It investigates the many media used, primarily print, but also manuscript and word-of-mouth, for instance in books, pamphlets, newspapers, and ballads. The most prolific commentator on the Popish plot was Roger L'Estrange, the press censor during the reigns of Charles II and James II. L'Estrange was interested in the working of the London book trade at this time, and as one who did not believe there was a Popish plot, wrote prolifically in order publicly to cast doubt upon it. L'Estrange's writings provide us with valuable insights into the production, dissemination, and reception of political opinion in this period. Drawing on the insights of literary studies, political history, and the history of the book, reading this volume will further understanding in how belief in such an extraordinary plot took hold amongst so many.

This book is an examination of a poet whose career offers a case study in the complexities facing Soviet writers in the Stalin era. Ol′ga Berggol′ts (1910–1975) was a prominent Russian Soviet poet, whose accounts of heroism in wartime Leningrad brought her fame. This book addresses her position as a writer whose Party loyalties were frequently in conflict with the demands of artistic and personal integrity. Writers who pursued their careers under the restrictions of the Stalin era have been categorized as ‘official’ figures whose work is assumed to be drab, inept and opportunistic; but such assumptions impose a uniformity on the work of Soviet writers that the censors and the Writers Union could not achieve. An exploration of Berggol′ts's work shows that the borders between ‘official’ and ‘unofficial’ literature were in fact permeable and shifting. This book draws on unpublished sources such as diaries and notebooks to reveal the range and scope of her work, and to show how conflict and ambiguity functioned as a creative structuring principle. The text discusses how Berggol′ts's lyric poetry constructs the subject from multiple, conflicting discourses, and examines the poet's treatment of genres such as narrative verse, verse tragedy and prose in the changing cultural context of the 1950s. Berggol′ts's use of inter-textual, and especially intra-textual, reference is also investigated; the intensively self-referential nature of her work creates a web of allusion that connects texts of different genres, ‘official’ as well as ‘unofficial’ writing.